Indiana Jones And the Kingdom of the Crystal Skull
Ilm artist Yanick Dusseault which is the Digital Matte Supervisor at Industrial Light & Magic had this to say.
"Creating entire vistas was a first in my playbook and that's just been wonderful. Vue was my only option and it turned out to be the best option!"
©LucasFilm Ltd. & TM. All Rights Reserved. Photo Credits: Industrial Light & Magic, Used Under Permission.
Kung Fu Panda
The following is an excerpt from an online Interview from Markus Manninen, VFX Supervisor on KungFu Panda, made by CGSociety. Republished under Dreamworks exclusive permission
"A lot of our large locations went through a process where the world was created roughly in Vue by our matte painting lead Scott Brisbane. Then the renders out of that were painted on by our matte painters to define the finished detail and push the look and lighting further. The final matte paintings were then projected back on geometry by our matte painting compositors and rendered on the farm. […]
The matte paintings on our film were the most advanced and the most shots that we'd done to date. Even larger than some of the live action films that depend heavily on them. I was truly inspired by their work. The Production Designer and I had planned to rely heavily on matte painting on the film, and we were extatic when the process worked out so well."
And Skycrawlers, a movie by Polygon Pictures.
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